This pocket-sized book by Jessica Hillman-McCord is part of Methuen Drama’s Topics in Musical Theatre series, and takes a deep dive into the universe of musical theatre fandom.
Fandom in Musical Theatre takes an academic but accessible approach to this subculture of enthusiasm about musical theatre shows, artists and trends.
The book starts at the point many of us did, listening to original cast recordings of musicals at home. It then moves through the rush for tickets, crowdfunding and the ease of connection with performers through their social media accounts.
Case studies highlight the big hitters from Rent to Hamilton, and Streisand to Disney cosplay. Clearly digital fan engagement has risen in the 21st century from TikTok conversations to ‘slime tutorial’ bootlegs, but being a fan is much the same process as it ever was.
The difference between having a CD or poster and exchanging messages with those on your favourite shows is touched on, but in a very positive way. Another book might have more to say on unrealistic expectations, safety of artists, and gatekeeping obsession.
Fan conventions are also included in this discourse – with MusicalCon and the newly-announced Oh So Stagey Fan Fest in the UK, plus the annual West End Flea Market this is another route by which fans can meet their idols and take home unique merchandise.
Hillman-McCord is a professor deeply interested in the mechanics and meaning of musical theatre. In just 86 pages, she delivers a valuable and inspiring piece of scholarly engagement with the musical as we know it today.
Fandom in Musical Theatre by Jessica Hillman-McCord is published by Methuen Drama and available now.