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Author: Louise Penn Published Date: August 28, 2024

On the star rating system – 2026 revision

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Author: Louise Penn Published Date: March 6, 2026 Leave a Comment on SPRINT Interview: Samuel Masters on The Man Who Was Thursday

SPRINT Interview: Samuel Masters on The Man Who Was Thursday

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Author: Louise Penn Published Date: March 5, 2026 Leave a Comment on Show preview: Tim McArthur on Oh, Sister Mary!

Show preview: Tim McArthur on Oh, Sister Mary!

Author: Louise Penn Published Date: March 5, 2026 Leave a Comment on Play review: Double Indemnity at Richmond Theatre

Play review: Double Indemnity at Richmond Theatre

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Author: Louise Penn Published Date: March 5, 2026 Leave a Comment on SPRINT Interview: Fruit Bowl Theatre on Who Gave You The Mic?

SPRINT Interview: Fruit Bowl Theatre on Who Gave You The Mic?

Author: Louise Penn Published Date: March 5, 2026 Leave a Comment on Play review: Our Town at Rose Theatre Kingston

Play review: Our Town at Rose Theatre Kingston

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Recent Posts

  • SPRINT Interview: Samuel Masters on The Man Who Was Thursday March 6, 2026
  • Show preview: Tim McArthur on Oh, Sister Mary! March 5, 2026
  • Play review: Double Indemnity at Richmond Theatre March 5, 2026
  • SPRINT Interview: Fruit Bowl Theatre on Who Gave You The Mic? March 5, 2026
  • Play review: Our Town at Rose Theatre Kingston March 5, 2026

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Popular Posts

  • Play review: Double Indemnity at Richmond Theatre
  • Play review: Our Town at Rose Theatre Kingston
  • Play review: Broken Glass at Young Vic
  • Theatre review: Oh Mary! (Trafalgar Theatre)
  • Interview: Greg Mosse on Criterion New Writing

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We reviewed The Man Who Was Thursday at Brighton last year, but it's been revised for SPRINT at @camdenpeoplestheatre - Samuel Masters updates us.
As @sistermarysoho returns to London with a one week March engagement at @archeslanetheatre, her agent and creator @mcarthur.tim reveals all about her habit(s) and the need for a silly night out!
As Who Gave You The Mic? comes to SPRINT Festival at @camdenpeoplestheatre, @fruitbowl.theatre reveal how their feminist comedy show has evolved since its early days.
I chat with co-creator of the Criterion New Writing programme, @gregmosse, to find out more about opportunities for mid-career writers to develop their work.
Cock, by Mike Bartlett, is making a return visit to London at @colabtheatre - in a new intimate staging by @talkisfreetheatre with just 34 audience seats per performance.
Many congratulations to everyone nominated today for @olivierawards - I will be sharing my predictions over the weekend!
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