Fringe theatre is quite often the birthplace of some remarkable shows, and Rewind, which is a production by Ephemeral Ensemble, is no exception.
Bringing together two stories to represent all the “disappeared” in despotic regimes, Rewind takes its inspiration from the Madres (Mothers) de Plaza de Mayo and Equipo Argentino de Antropología Forense, the forensic team created to investigate the cases of those who vanished.
It sounds bleak and impersonal, but it highlights one case, utilising puppetry, inventive lighting, and atmospheric music created and looped live on stage. The effect is exceptionally moving and deeply inventive.
An old-style overhead office projector develops many uses, while objects gain emotional meaning and shredded paper becomes a menace. Shadows are created to highlight chsos and oppression.
Performer Andres Velasquez introduces the show and its context. What follows is largely physical action, music, and some Spanish dialogue. Composer/musician Alex Paton works wonders with the soundscape; Josephine Tremelling conjures up creative beauty with the lighting.
The other performers, Eyglo Belafonte and Louise Wilcox, are superb. Their characters are real and raw, their situations are intense and perilous. Ultimately, Rewind is respectful of the one young woman, Amelia, who represents all the young people tortured and killed in peaceful protest.
This is a fascinating and absorbing piece of dramatic theatre with real purpose. I left with tears prickling at the injustice and loss of lives while admiring the skill we had seen during this hour at the New Diorama.
It’s early days, but Rewind – directed by Ramon Ayres – is my favourite show of the year so far.
You can catch Rewind until 10 Feb – tickets here all priced under £20. More about the Ephemeral Ensemble at their website.
*****
Image credit: Maria Falconer