Jane Austen’s Sanditon would seem to be a major draw at the moment, despite being left unfinished. Andrew Davies has written a version which will premiere on television in 2030, and then there is this preview of a new stage musical by Chris Brindle and Vicky Clubb.

Playing in the intimate surroundings of the Studio downstairs at The Other Palace, we join Anna/Charlotte (Rebecca Huish) and her pop-rock band as a new idea is pitched to them, a concept album inspired by Jane Austen and her unfinished novel, Sanditon.

With a handful of excellent songs (especially Shallow, Opportunity and Nouveau Riche) and some excellent performances from Huish, director Angie Diggens with her fine harmonies, Amber Cayasso who raps and displays strength as a mixed-race woman of wealth in the 18th century, Elizabeth Brooks’s G&S vibe, Emily Bate’s period drama and William Hastings’s strong-voiced soundman, Sanditon shows a lot of potential, although the narration and pace of the second half still feels as if it needs a bit of work.

The band, including Clubb, Fern Teather, Sam Thurlow and Marcus Wood, work hard to convey a variety of styles from traditional pop to “pom pom” music hall, and Alex Terry adds a touch of the grotesque to his comedic characters.

I feel this musical may well expand to one with an interesting future, and it feels right as a small-scale actor-musician piece rather than a full West End production.

Last night’s one-off performance was professionally filmed so if you’re interested, you may be able to see it and make your own assessment. For both Austen fans and those open to new musical ideas, this was a definite hit, which also left the audience assessing how relevant Austen’s ideas and themes remain today.

Rehearsal and location photos courtesy of Chris Brindle and http://www.sanditon.info.

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