Fanny & Stella (Above the Stag, Main House)

Glenn Chandler’s witty piece about Boulton and Park, their cross-dressing, and their trial on charges relating to publc decency, returns to the Above the Stag following a successful run in 2015.

If there is any doubt about the subject matter of Fanny & Stella, or the spirit in which the evening will unfold, it is quickly dispelled with the group ditty “Sodomy on the Strand”.

Kieran Parrott and Tobias Charles in Fanny and Stella.

Kieran Parrott and Tobias Charles in Fanny and Stella.

Kieran Parrott and Tobias Charles in Fanny and Stella.

With a music hall flourish and a large dose of swish, leading “he-she ladies” Tobias Charles (Fanny) and Kieran Parrott (Stella) evoke the spirit of the broadminded theatre of the 19th century, where one could even be unofficially contracted to an MP and carry cards to that effect.

Fanny, played with a bitchy charm by Charles in his professional debut, is the more confident of the pair, while Stella (despite planting a tree with every lover – “have you been to Epping Forest”) shows rather more vulnerability at times. They refer to each other as “dame” and “sister” and display expensive tastes in clothing.

Kieran Parrott and Blair Robertson in Fanny and Stella.

Kieran Parrott and Blair Robertson in Fanny and Stella.

With songs like “Has Anyone Seen My Fanny” the tale, supposedly told by the pair themselves in performance at the Bermondsey Working Men’s Club, relies on fruity language and innuendo. There are also more traditional-style numbers – where Stella’s mother (also Charles) has her own song, and where Stella finds her Scottish freedom, however fleetingly, in “Walk Me Up The Street”.

Chandler’s spicy lyrics about “unmentionable” things, with Charles Miller’s music, rattle along well with the accompaniment of musical director Aaron Clingham.

Mark Pearce in Fanny and Stella.

Mark Pearce in Fanny and Stella.

In a small company there are numerous opportunities for character parts – panto regular Mark Pearce is very good as a Scots landlady, a girlish maidservant, a comic detective, and a Yorkshireman. Christian Andrews is the closeted Lord Arthur, Tom Mann the bookish Louis, and Blair Robertson the American John Fiske.

Tom Mann in Fanny and Stella.

Tom Mann in Fanny and Stella.

All partake in the story and routines with glee and energy, and even draw out the tragedy of the situation where young men can be dismissed as “Mary Anns” and renters by those very pillars of society who seek their services.

Park and Boulton may have adopted fantasy personas to procure sex or simply to survive, but there is something sad about a twenty-something already rotting with syphilis, despite the smiles under bright red lipstick and voluminous petticoats.

Fanny and Stella continues at the Above the Stag. It is directed by Steven Dexter, designed by David Shields (who has his cast literally coming out of the closets), and choreographed by Carole Todd.

Photo credits: Gaz at PGB Studios.


About Louise Penn

Writer, reviewer, editor, creative. Blogger since 2011. View all posts by Louise Penn

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