Tina: The Musical (Aldwych Theatre)

You’re probably very familiar with the story of Tina Turner – born Anna Mae Bulloch. She was spotted by Ike Turner when she was a teenager and her distinctive and powerful voice livened up his Revue Band for sixteen years of music success and violent domesticity.

The first act of this musical starts in church, when young Anna Mae already seeks attention. Abandoned by her parents she becomes a cotton picker and grows under the care of her grandmother.

On rejoining her mother and elder sister she runs wild and is practically pushed towards the much more worldly Ike, who grooms her into marriage while resenting her superior talent.

Of course we only have Tina’s word about these early years, and by the end of Act One she’s taken her two boys and made a run for it. There are some musical bits in this half, but the show didn’t come to life for me until Proud Mary.

Act Two sees Tina, ‘knocking forty’ and without a record deal. She’s taken on by a Aussie producer and finds herself on the other side of the world, with a new image, a new partner in marketing whizz Erwin Bach, and eventual super-stardom.

Adrienne Warren is note-perfect as Tina, from teenage years to mature rocker. She has her first chance to show off her pipes on River Deep, Mountain High and comes into her own with vibrant energy in the Simply The Best finale.

Produced by Turner and Bach, this show is close to hagiography, with the story clearly slanted to the infatigable determination of Anna Mae. Young Anna Mae is played by a rotating trio of girls (I think we saw Reya-Nyomi Brown) with their own infectious spirit.

Lorna Gayle is in great voice as GG, Tina’s gran, and Kobna Holdbrook-Smith convinces in a tough role as Ike – he gets booed as the villain but he’s a good singer in his own right.

Interestingly, Tina’s solo success comes with a step away from the black community and with the help of whites like Phil Spector, Rhonda Graham, Terry Britten and Roger Davies. Even from David Bowie, who reportedly told the record label they would be mad not to sign her – there’s a moment where I thought he would be introduced but thankfully, no.

A decent show but it could do with a bit of a snip and be warned, it takes a while to warm up. Go for Warren’s performance though – she really is that good.

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About Louise Penn

Writer, reviewer, editor, creative. Blogger since 2011. View all posts by Louise Penn

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