A London visit from the Berlin Philharmonic is always an occasion, and this Valentine’s Day visit from them, with their conductor Sir Simon Rattle on the podium, did not disappoint, especially as they were playing their signature piece, Mahler’s Symphony No 2, the Resurrection, in an emotional and absorbing rendition assisted by the London Symphony Chorus, the CBSO Chorus, soprano Kate Royal, and mezzo-soprano Magdalena Kozená.

The orchestra could very well play this piece in their sleep, but the strings, the woodwind, and the percussion all gave it life and energy, and the solo arias from Royal and Kozená were beautiful.  But it is the chorus, that chorus, that soar of voices which makes this piece so special, and which brings tears now and then from audiences.  The human voice is probably one of the greatest of all instruments – and even if this choir performs much of their singing seated in Rattle’s voice of the piece, it remains an effective piece of ‘theatre’.

Before the Mahler, we were treated to Helmut Lachenmann’s Tableau for orchestra, which is a very modern and sparse piece, enjoyable and very different to the melodies of the 19th and early 20th centuries.  A good companion piece, then, to the mighty Resurrection.

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