Cinema review: Hitchcock’s The Pleasure Garden – restored

The BFI’s ‘Genius of Hitchcock’ project launched this week with the restoration of the director’s first film from 1926, ‘The Pleasure Garden’, now with original tints and extended to a length of twenty minutes more than has previously appeared on DVD releases.

The setting for this first screening (with live accompaniment from the Royal Academy of Music Manson Ensemble, to a new piece composed by Daniel Patrick Cohen) was the charming but dilapidated Wilton’s Music Hall, in Whitechapel, just a short walk from Tower Hill tube station. Given the young Hitchcock’s love for the theatre (which is shown by the opening shots of this film, featuring blonde chorus girls) it was the perfect venue, and it was fitting that with the launch of this season the announcement was made that Wilton’s has gained Lottery funding – of £56,000, as it turns out.

The film itself is a potboiling melodrama with a leering villain (Miles Mander), a sweet chorus girl (Virginia Valli), a gold-digging bitch (Carmelita Geraghty), and a nice but dim chap (Hugh Fielding). There’s also a cute dog to rival ‘The Artist’ and Uggie. Although it isn’t top drawer Hitch, there is much to enjoy in this piece from the fledgling director, and from this beautiful restoration.

The remaining eight silent features are to be restored for this year’s Cultural Olympiad (The Ring, The Lodger, Blackmail, Downhill, Champagne, Easy Virtue, The Farmer’s Wife, The Manxman), and donations can still be made via the BFI website .

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About Louise Penn

Writer, reviewer, editor, creative. Blogger since 2011. View all posts by Louise Penn

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