A welcome revival for Jerry Bock and Sheldon Harnick’s musical about a Jewish village where tradition still reigns while the world slowly and malevolently changes; specifically for the family of Tevye (Andy Nyman) who sells dairy goods to his neighbours, his wife Golde (Judy Kuhn) who he may love after 25 years, and their five daughters: Tzietel (Molly Osborne), Hodel (Harriet Bunton), Chava (Kirsty MacLaren), Shprintze (Lia Cohen) and Bielke (Lottie Casserley).
The elder three daughters are all of marriageable age, but as the children of a poor dairyman they have to rely on the local matchmaker, Yente (Louise Gold) to find them a husband their papa will approve of. But times are changing, and first one daughter, then another, and another, make their own choices, rather than letting their fates be dictated for them.
Against this background the musical comes to life in a clever use of the small space in the Menier, a big of scene setting at one end of the stage, and open floor for dancing and big musical numbers. The most well-known titles, “If I Were A Rich Man”, “Matchmaker, Matchmaker”, “Sunrise, Sunset”, work well, but the sequence where the Russians and the Jews uneasily spar together in the local tavern is a triumph of male bravado and dance athleticism (“To Life”) which utilises the original choreography of Jerome Robbins.
Nyman, Kuhn, Osborne, Bunton and MacLaren all have their chance to shine as the story progresses, as do Joshua Gannon as Motel the tailor, Stewart Clarke as student Perchik, Matt Corner as soldier Fyedka, Dermot Canavan as Lazar Wolf the butcher, and gossipy Gold. From the sublime “Now I Have Everything” to the ridiculous “Tevye’s Dream”, the company never mis-step, and in the sequences which require a chorus effect to the songs all the cast members are shown to be gifted singers and actors.
Nyman’s Tevye is a pragmatic man, who thinks nothing of asking his God for help in a crafty prayer, or admonishing him if something goes wrong, and his love for his daughters finally outweighs his “Tradition”. Even with the downbeat ending, you feel there is hope for this resilent man and his family, wherever they find themselves across the globe.
Trevor Nunn directs this warm, engrossing and accomplished revival, which runs until the 9th March 2019.