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Author: Louise Penn Published Date: February 27, 2024

Theatre review: Cable Street (Southwark Playhouse Borough)

Author: Louise Penn Published Date: February 26, 2024

Plays from the cheap seats

Author: Louise Penn Published Date: February 9, 2024

Theatre review: The Hills of California (Harold Pinter Theatre)

Author: Louise Penn Published Date: December 22, 2023

Fringe Focus: The new King’s Head

Author: Louise Penn Published Date: November 11, 2023

Interview: Collective Theatre’s Martin Derbyshire

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  • Martha Reeves: Back in the Groove September 9, 2026
  • Book review: American Musicals in Historical Context September 8, 2026
  • Edinburgh Fringe review: Edith Alibec – The Void September 8, 2026
  • Book review: Fandom in Musical Theatre September 6, 2026
  • Play review: Annie Wobbler (Revisited) at Finborough Theatre September 4, 2026

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Book review: American Musicals in Historical Context
Are you heading to Come From Away, staged by @green_room_productions at @wyllyottstheatre this week?
Martha Reeves: Back in the Groove
Tonight I am at @janeeyremusical at @swkplay Elephant - reviewing for @playsinternational.
Edinburgh Fringe review: Edith Alibec – The Void
The elusive, troubled visionary Robert Schumann is in the spotlight for Sir Simon Rattle and the Freiburg Baroque Orchestra – ‘one of the most polished period-instrument ensembles in the world’ – which brings its distinctive tang and timbre to three of the composer’s best-loved works.
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