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Museum spotlight: Bow Street and Brunel

I was fortunate enough to be invited to check out two very different museums in London this week: the Bow Street Museum of Crime and Justice at Covent Garden, and the Brunel Museum at Rotherhithe.

Both are promoting very special artifacts. At Bow Street Museum is the dock in which Oscar Wilde, Dr Crippen, the Krays, and the suffragettes stood in the Magistrates Court. The Brunel Museum has the restored, Grade II* listed Thames Tunnel, now a performance and event space.

Five fast facts about Bow Street Museum of Crime and Justice

Actor Alastair Whatley, who plays Wilde and other characters in the one-man play The Importance of Being Oscar, opening at Park Theatre this month, attended to launch the dock to the press, joined by Museum Director Simon Tansley.

It is always exciting to stand near or in spaces or items that date from the Victorian era. In the case of Bow Street’s dock, it languished forgotten and with 1960s plastic trim until the transformation of the court building into the 5* NoMad hotel that now occupies most of the rooms.

Saved from the skip, it has now been sympathetically restored thanks to National Lottery funding, and will form the centrepiece of the upcoming exhibition, Echoes of the Past. The Museum boasts the old police cells – including the drunk tank – as part of their offering, although the two main courtrooms are now respectively the hotel’s event space and a couple of bedrooms.

We were allowed to stand in the dock itself as part of the morning – a sobering experience, particularly regarding Wilde, who was plainly a victim of circumstance with his eventual conviction.

Grand Entrance Hall – Thames Tunnel

Five fast facts about Brunel Museum

At Brunel Museum, the main attractions are the exhibition space in the Old Engine Room, and the Thames Tunnel shaft. The tunnel took 18 years to build, between 1825 and 1843. It was envisioned to be accessible to horse and cart, but this proved impossible, and instead it became a way to cross the river for pedestrians, linking up with what is now Wapping station.

Back in 2014, I walked through the tunnel from Rotherhithe to Wapping, along the route now underneath the Museum’s space and part of the Windrush line. The architecture was deeply impressive, and the idea of this as an underwater shopping arcade as well as a quick route between stations was fascinating. Some photos I took on that day:

In 2011, a floor was added halfway down the tunnel, which now serves as a performance and event space. For the first 5 years of operation, access was by crawling through a hatch at the top with a descent via scaffolding – this even happened for weddings! Museum Director Katherine McAlpine shared with us some details about the space.

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Inside the Grand Entrance Hall

The tunnel is listed because of its original Victorian soot, and the base part of the tunnel still needs water to be pumped out each day. For the Brunel family, father and son Marc and Isambard, this was their first collaboration. It was Marc Isambard Brunel’s overarching vision, while Isambard Kingdom Brunel acted as resident engineer. Isambard went on to his first major structural design, the Wharncliffe Viaduct (1837) in Hanwell.

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